Movie Reviews

Reviews of Latest Tamil Movies,Ratings, Latest Movie Reviews, Tamil Movie Theatre Opininons,Movie Stills, Trailers,

Sivapathikaram-Review

As the title says movie is flooded with blood … Raghuvaran and her daughter Mamta an inspirational new face comes to their native as Raghuvaran gets VRS and wants to settle back in his native.
Raghuvaran wants to release a book for Tamil folk songs and Vishal comes in as a Research Assistant for Raghuvaran … Mamta inspired by Vishal … slowly falls in love … Suddenly Vishal kills the politicians conducting for the election with criminal affair … as the death toll increases most of the politicians with draw from the election later resulting to stop the election … Obviously second half reveals why Vishal takes charge and kills the politicians in a row …

Hero Vishal takes his revenge on criminal politicians who were responsible for killing 40 of his college mates and his father Manivannan live in fire … He gets the help and guidance of his professor Raghuvaran … The story ends as he Kills Rajan P Dev the source person for the massacre …

Tunes of Vidyasagar are pleasant for the ears especially “Sithirail Enna Varum” and “Atrai Thingal” songs … First off goes on a move with sparkling comedies of Kanja Karuppu. Mamta is really pleasant to watch … she inspires both as a homely and glamorous girl especially in “Atrai Thingal” song … Overall Sivapathigaram is a movie that stands out for the Director Karu Palaniappan …

Chennai Kadhal-Movie Reviews

Gautham (Bharath) is a good-for-nothing young vagabond, wandering the streets aimlessly with his friends. He has been irresponsible with his education too, having been disbarred from appearing for his degree examinations, since he was in an exam. His parents despair of his future and wonder if he will ever get an ounce of sense and responsibility in him.

Gautham meets Narmada (Genelia), quite by accident one day, when a load-bearing cart overturns and she tries to help the poor cart-puller out. Gautham, the irreverent chauvinist here, tells her that he will help because after all, “A man should do a man’s job and a woman should be in her place”… Not at all pleased with his remarks, Narmada snubs him and walks away in a huff.

Fate brings them together again when Gautham is returning to Chennai from a Mumbai visit, where he had attended a friend’s wedding. While travelling in the train back home, he meets Narmada again; this time they spend more time together, thanks to the train being stalled en-route for 3 days due to some technical problems.

Their Romance starts off with the usual little arguments, quarrels and skirmishes, then some making up and finally, predictably, something very akin to love. At Chennai, they part ways as a couple in love.

Gautham decides (perhaps because of his new relationship and feelings for Narmada) that he needs to start settling down in life. He at his friends’ company where they hire out vehicles, including modified ones, for all types of film shootings.

…and Gautham and Narmada meet again. Gautham is sent in a police uniform to a film shoot, in a vehicle modified as a police car. When Narmada meets him by chance, she is surprised and thinks he is a real cop. Gautham, of course, doesn’t want to shatter her dream-bubble with the prosaic truth and plays along. She wonders why he didn’t tell her during their train romance, but is so happy that he has such a responsible job, she proposes her love to him. Not clarifying the situation, again, he accepts and reciprocates.

Now the twists in the tale begin…

Narmada happens to meet Gautham’s father, who then laments to her of his useless son. This conversation, and a series of subsequent events, result in the romance breaking apart. Narmada is heartbroken and indignant and wants out.

Life goes on, melancholy as ever, until the day Gautham gathers his courage and spills all to her. Love blooms again.

Of course, just when one starts to think that this is a simple love story and anticipates a happy ending, director Vikraman introduces complications that force the youngsters to fight for their love and to be together. Some nasty fights, a whole lot of running around, chases all the way to Mumbai and back and some more fighting back later, the film draws to a great ending.

Director Vikraman, the man who started Ilayathalapathy Vijay on his trip to superstardom with Poovey Unakkaga, has left his mark on Chennai Kadhal also, with his clipped and crisp dialogues. Like his other good films Un Idatthil Yennai Kudutthen, Suryavamsam, etc., Vikraman’s style is characteristic here too. He has tried to tell an old formula in a new way – in Chennai Kadhal, he has mostly succeeded. Still, sometimes he has left behind a feeling of having already watched a situation like this. Antony’s editing is, as usual, slick. The music of  the film is enjoyable, but the RR (re-recording) could have been done a tad better.

Bharath’s acting, as usual, is natural and good. His role of a hot-blooded young man suits him and this is yet another plus point of histrionics in favour of this movie. Genelia, as Narmada, plays her limited part well, and is an able foil by emoting with her eyes when Bharat is emoting without words.

Is this a happy love story? Not really.

Has Vikraman introduced any surprises – nasty or otherwise – in his narration? Yes.

Is this movie merely an action flick for Bharath or yet another different role he has chosen?
Watch Chennai Kadhal to know.

Banner : V. Creations.
Producer : Kalaipuli S. Dhanu
Director : Vikraman
Music Director : Joshua Sridhar
Cast : Bharath, Genelia, Radha Ravi
Date of Release : 8th December, 2006

Palunku-A New Mammooty-Blessy Film

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If there is a director in Malayalam who has the most burden of expectations, it’s Blessy. After blazing a glorious trail with Kazhcha and Tanmatra, people expect the world from Blessy. This time he pairs up with the hero of his first movie Mammootty again. (Sorry Dileep, you will have to wait)

Monichan, played by Mammootty, is a farmer who was forced to leave school after his family lost their house and belongings in a landslip. Now, he lives with his wife, Susamma, and two daughters. To provide his children better education, Monichan decides to move from the village to a nearby town. The new environment takes a toll on the life of the naive farmer and his life changes forever. When he starts interacting with a consumerist society, he becomes ambitious and greedy. The film is about how the changes impacts on him and his family.

The other important role in the film will be presented by Jagathy Sreekumar who has not acted with Mammootty for a long time. The director, who is adamant in presenting new heroines into Malayalam through his films, has fixed Lekshmi Lahiri to play the female lead.
Blessy’s movies have wonderful music, this time too he has repeated Mohan Sitara for Palunku. You often wonder, in Blessy movies in which things move at snails pace, why do you need technically superior cameraman who was last seen in Singapore filming Krishh. Well, god knows and so we have Santosh Thundiyil cranking the camera for this one.

Casino Royale-Daniel Craig becomes Craig Bond

Daniel Craig is the newest James Bond and about to reach superstardom with the much-awaited Casino Royale releasing worldwide in theatres today.

The world’s longest-running film franchise (courtesy: The Hindu), Ian Fleming’s James Bond 007 has given us some of the most dashing MI 6 agents (Sean Connery, Roger Moore, Pierce Brosnan), the most gorgeous and sexy women and the fastest-paced movies for 21 years.

The era of world cinema in Indian theatres has truly changed, with big films releasing worldwide INCLUDING in India simultaneously; instead of the usual wait of upto 2 years for Indian theatres! India has a few genre favourites that are sure to hit box-office highs and James Bond is at the top of this list.

In Chennai city, James Bond 007 Casino Royale opens in Sathyam Cinemas and a few other theatres. For Sathyam Cinemas, you can book tickets online on www.thecinema.in.

Some other theatres playing the movie, in other cities of India: Fame Cinemas in Mumbai, Pune and Surat; PVR Cinemas in Mumbai, Hyderabad, Bangalore, Indore and the Delhi-Haryana-U.P. regions; Fun Cinemas in Mumbai, Ahmedabad, Chandigarh and Delhi; and at INOX theatres across the country.

 

 

Vallavan- Tamil Movie Review

Reviewing Vallavan – The New Tamil Movie by Silambarasan

The Silambarasan-directed ‘Vallavan’ lives up to its pre-release hype and hoopla. It bears the unmistakable signs of a hit.
But telling performances by Nayantara and Silambarasan save the film. Nayantara looks fetching and succeeds in emoting too. Of course, there is a regulation kissing scene as well for the benefit of the youthful audience.

Yuvan’s music is a major plus point of the film. “Loose Penne” and “Vallava” are the pick of the lot. Priyan handles an excellent camera and Rajeevan’s artwork is commendable. Editor Antony could have done a better job because the film is too lengthy, 3 hours and 5 minutes.
Overall its an entertainer movie with some drawbacks. Lenght of movie is high and makes us boring. Then Direction is not pretty good, but we can forgive because its a debut attempt. Then Night scenes with Nayan Thara feels artificial. Afterall the very notorious french kiss scene with Nayan Thara was of Low class.

Vallavan – Photos

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